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SDUK 11: PACING

January 2022

11.0
Cover
11.1
How to Read this Broadsheet
11.2
Power of People
Ayodamola Tanimowo Okunseinde
11.3
Walking through Mishibizhiw: Challenging the Measured Pace of Colonization
Tasha Beeds
11.4
Permanent Precarity
Mostafa Henaway
11.5
Soundpace // Eavesdropping on the Process of Dilettante Composer
Oana Avasilichioaei
11.6
Bringing the Decolonial into Kinesiology, Health, and Sport Ethics
Janelle Joseph, Debra Kriger
11.7
The Territory Between Us
Lee Su-Feh, Bracken Hanuse Corlett
11.8
"Ensuring I Can Let People Know They Exist": Continuities of Black Feminist Publishing in Toronto
Adwoa Afful, Cleopatria Peterson, Corinn Gerber
11.9
Wayside Sang
Cecily Nicholson
11.10
Full Stop
Maandeeq Mohamed
11.11
In Spite of Defeatism
Jacob Wren
11.12
Glossary

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Cover

The cover of the Pacing broadsheet features an image from Ayodamola Tanimowo Okunseinde that features a model standing before a body of water with cargo ships on the horizon line, wearing Iyapo Repository Artifact_012, a deep blue divesuit with black strapping, EVA foam, tubing and motors connecting the humanoid mask to a Raspberry Pi device held in their hand. Below the image appears the etymology of “pacing” in black text on a gray background. A portion of the etymology describes to keep pace (with) Pace-setter “one who establishes trends in fashion,” is by 1895. — SDUK11: PACING