When I Was 16 I Had the Opportunity to Go Back to El Salvador is a hybrid: it is a retablo, a type of Latin American Catholic devotional painting that takes inspiration from Indigenous Maya Culture, particularly rock stelae in Honduras and the lushly vegetated ruins of pyramids that served as the artist’s playgrounds during his childhood in El Salvador. It depicts a family trip and their ascent to the summit of the Santa Ana Volcano, commemorating Guadalupe Maravilla’s first return to his homeland after escaping the Salvadoran Civil War and walking alone to reach the US. He explains, "The civil war had just ended and I was there to start my refugee paperwork that led to my green card and eventually a US citizenship. We took a family trip to a national park which is located next to the Volcán de Santa Ana o Ilamatepec. My best friend and I decided to climb the volcano without telling anyone. We bought water in clear plastic bags and we tied them to our belts. We were teens and had no idea what we were doing, we just went upward and several hours later we reached the summit. To our surprise the inside of the crater had a turquoise milky pond and its steam smelled of sulfur. The first person we encountered at the summit was not a local or an ancestor from a volcano myth, but a German tourist. There we reminisced about how as children we dreamt of climbing the volcanoes and seeing all the different types of craters. Over the years we had heard that roses were grown in the inside of the crater and alligators swam in the sulfur water.
While grounded in his personal experiences, Guadalupe Maravilla's retablos, along with his stalactite-like sculptures and other works, convey global themes, including disease, war, migration, and loss. The artwork encapsulates not only themes of memory, journey, transformation, and healing in the context of the artist's unique life but also serves as a poignant reminder of the resilience and renewal that can emerge from personal and collective experiences of conflict and displacement.