An assemblage of imagery from the mass media gleaned from the internet, as well as architecture and modern and contemporary art books, Fuck Me Bauhaus: Gropemegehry is a series of collages. In this series, Ventura portrays our modern contemporary world as characterized by frenetic self-consumption, fierce cannibalism, and inverted metabolisms in the name of progress and development. The elements in the collages are intentionally removed from their original contexts and transformed into relics, amulets, and remnants of worlds that have been destroyed but that remain inescapable. The collage is part of a larger series that can be thought of as a modern-day medieval book of hours bearing sins and sinners, tortures and horrors, demons and saints. For Ventura, chaos and destruction, murder and impunity, starchitecture and war debris are inextricable and the grounds for modernity to thrive. Scissors and glue play a crucial role in reimagining and reconfiguring chaos, not as foreign problems but as the kernel of colonialism and imperialism. In this collage, Ventura adorns rot and ruins surrounding major modern and contemporary architectural jewels with vibrant fluorescent colours, which morph into hypnotic kaleidoscopes made from human and architectural debris, putting forth a stark image of modernity that reveals what it hides.