In this talk, Julie Pellegrin reflects on the intersection of choreograpy and the curatorial. Beginning with Mathieu Copeland’s A Choreographed Exhibition at La Ferme du Buisson in 2008, and the resulting movements, gestures, and relationships produced by it, Pellegrin addresses five central perspectives: the score, the space, time, the body, and memory. Tracing a line between this milestone project and her ongoing curatorial practice, she charts choreographic exhibition-making methodologies across more recent projects. Examining The Yvonne Rainer Project: Lives of Performers (2014) and Alfred Jarry Archipelago (2015), Pellegrin explores the potential of liveness, presence, radical experimentation, and reconfiguration to animate choreographic legacies. Lastly, Pellegrin discusses dance’s potential to displace viewer expectations and disrupt the established codes of contemporary visual art, in projects such as Emily Mast’s Missing Missing (2015).